Henry Heerschap
Artist’s Statement

I’m an amateur photographer located in the Seattle are of the US. I enjoyed photography in my younger years, but life got in the way and I drifted away from it aside from simple snapshots and the like. Digital imaging has rekindled that interest and I’ve made a conscious effort to develop my skills and personal vision. Part of that has been a keen interest in the alternate world of Infrared photography. I have several cameras that have been specifically converted for IR, including a couple of Canon Rebel models.

Photographer’s Statement
Stanley N. Schwartz
www.tallgrassimages.com
stan@tallgrassimages.com
snsokstan@yahoo.com

Beauty in nature is ephemeral. For the outdoors? photographer, light, weather and season periodically ?intersect to produce beauty unequalled by anything? manmade. There is wonderful splendor for those who? seek it actively by walking a little further, awakening?at an earlier hour and staying out until last light.?? ‘
The photographer—who never makes images but merely? captures them—must be prepared to spend hours doing? nothing other than listening to the sound of clouds colliding.

BIO: Hi. I live in Los Angeles, CA, a concrete jungle made up of intertwining, sprawling suburban neighborhoods. To me, it offers little photographic possibilities. I prefer places that offer the peace and solitude seldom found in and around LA. Currently, I have a Nikon D2X that I use as my workhorse camera, a Nikon D300 as a backup camera, and I converted the Canon POWERSHOT Pro 1 as my dedicated IR camera.

Photography has been my BIG hobby for most of my life, and my favorite photographic spots are in the American Southwest. The desert offers a plentitude of natural beauty everywhere you look, from wildflowers to monsoonal thunderstorms to candy-striped rock formations. Outside of my affection for wide scenic landscapes, wildlife, macro and aviation photography, I was looking for new pictorial ideas. My girlfriend suggested looking into infrared photography. At first, I used the Hoya R72 filter, making adjustments to the white balance to convert an image to IR. All of a sudden, this new world view opened up to me. Simply the way the grass blades and trees glow with that bright white yet soft light, the way lakes and ponds transform into stark black mirrors, and the way the sky becomes this sharp, dark counterpoint to a landscape is to appreciate Mother Nature’s grandeur on a higher level. The overall composition goes from just a good color image to a magical, ethereal one—an entirely new photograph altogether! That sealed it. I bought a Canon P&S based on recommendations and had it converted to a dedicated IR camera, and the rest, as they say, is history!

Eric Miner Artist’s Statement

I have been shooting since I was 12 years old. I first shot with Kodak High Speed Infrared 35mm film in 1967 and have always loved the look and feel of IR. Today I shoot IR using a Canon G3 converted by LifePixel.

In recent years I’ve been concentrating of landscape and general nature photo. Foe the last year I’ve been experimenting with IR HDR. The combination of the two has resulted in some very beautiful images.

The older I get the more my art means to me. I’ve found that I it has become easier to express myself with photography as time goes by.

I hope that all who see my images enjoy them as much as I enjoy producing and viewing them.

Thank You,

Eric Miner

Cary Enoch Reinstein aka Enoch’s Vision, Inc. started out as an artist but became sidetracked by the high-tech industry. There I spent many years writing reference works for software developers and engineers. I lived at different times in The Bronx where I grew up, the San Francisco Bay Area (various positions in the graphic arts industry), Portland, Oregon (Intel) and the Seattle, Washington area (Microsoft).
Most of my images were made entirely within the camera or enhanced afterwards in an optical slide copier of my own design. I processed Ektachrome film myself and frequently experimented with solarization, push-processing, and cross-processing. Photoshop is the primary tool that I use to reinterpret the natural colors and prepare images for archival printing. I also use Photoshop to suppress excessive grain and scanning artifacts. I do not use artificial image effects.
The signature line I have used for many years is the best statement I can make as an artist: “Behind all these manifestations is the one radiance, which shines through all things. The function of art is to reveal this radiance through the created object.” — Joseph Campbell
I’ve included a statement of my interests here because it tells what motivates my art and photography: Bahá’í studies, environmental concerns, animal welfare and care, cosmology, harmony of science and religion, health and diet issues. I am nonpartisan and apolitical.
Favorite Music: primarily mid- and late Renaissance (Vivaldi to Mozart), Beethoven, nearly all Jazz, Celtic, folk and pop-rock, Persian and Indian plus a highly eclectic variety of other music also. Among my favorites are the Moody Blues, Joni Mitchell, Enya, Van Morrison, Sarah MacLachlin, Stevie Nicks, Gloria Estefan, Loreena McKennitt, and many others. I do not enjoy any heavy metal, Rap, Broadway tunes, or “elevator music.”
Favorite Artists: El Greco, Pablo Picasso (earlier work rather than later), Vasilly Kandinsky (also earlier rather than later), Vincent Van Gogh, Marc Chagall, Claude Monet, Mark Tobey. Artists I really dislike: Andy Warhol, Jackson Pollock, and Piet Mondrian.
Favorite Book: Gleanings from the Writings of Bahá’u'lláh
Favorite types of movies: recent films with high quality CGI and little or no violence unless absolutely necessary for setting or character development. I never watch overtly violent or war-related movies or those with vulgar or buffoonish humor. I enjoy watching high-quality animation such as Disney/Pixar films. My current favorite TV shows are Doctor Who, Torchwood, Battlestar Galactica, The Dog Whisperer, Meerkat Manor, Monk, and Atlanta Braves broadcasts. I rarely watch News channels except for BBCA. I like the Sci-Fi, National Geographic, Science, History and Discovery channels.
I live now in rural Peach County, Georgia with my German Shepherd Dogs, Luna, Ghibor and Ahava.
“Worthwhile art requires something of us. It insists that we become participants, what J. R. R. Tolkien has called “sub-creators,” in the process of understanding the ideas and insights to which the artist has given sensually perceptible form. Art which does not require this creative effort on our part usually has little of importance to say to us. Art which has no subtlety, which does not stretch us beyond our present awareness, simply reminds us of what we already know.” – John Hatcher, The Divine Art if Revelation

We’ve been going through a site redesign at DIMi (www.dimagemaker.com) to better handle some major expansion we are doing.

Over the next couple of weeks we are opening a variety of new features, from free web hosting of galleries for selected photographers and artists, dimagemaker.net, (people can apply) to a companion site for analog and fine art photography (AnImageMaker.com) to on both sites (D and An ImageMaker) exhibition and portfolio reviews (a move into art and photographic criticism prompted by discussions offlist with a number of people) and more (newsletters, for example, and a big, multipronged push into fine art photography).

The free web hosting of galleries of work (with artist statements, profiles and links to their other sites) is a way to give back to the people who use the site and make good use of a large slab of excess hosting space and bandwidth we had. I’m hoping this will develop further as we are looking at ways to promote the people who we have on board (we can handle about 4,000 people giving each around 15MB of free space) and are putting in place networking opportunities between the exhibitors. I’m hoping things like joint exhibitions, collaborations and such may come out of it.

More later

Recently I was off testing three cameras:
Nikon D300
Olympus E-510
Sony A350

So I decided to take the same image of the same scene, pull the red channel for the mono conversion and compare the results.

Nikon D300
Nikon D300 Infrared
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The last few months have been challenging here at DIMi.

Just before Easter my father-in-law died. It was not unexpected to me, having seen a number of people pass, but other members of the family were not prepared. As you could imagine, it was very disruptive to everything. DIMi suffered, given that we work from a home office, plus my attention was not really there.

Over the following months things have settled down a lot and a lot of photography has been happening. But as anyone who has been through someone like this will know, depression and grief go hand in hand, and there have certainly been times when we have had little energy to do much.

Despite all this we’ve got some great things underway at DIMi. In February DIMi became the most popular Australian photography website among Australians and since then we have risen up the US photography site rankings to be in reach of some of the long established big names. We have started our ImageMaker Tips on a challenging bi-daily initial schedule and these are proving very popular. The emails from readers are flowing in and it is obvious that more and more photographers are trusting our reviews and enjoying the advice on our sites.

There is a lot of background work going on. We are working on individual RSS feeds not only for the ImageMaker Tips but for other key topic areas, such as cameras, photography and press releases, and a major effort is underway to add newsletters to DIMi. More news on this soon. And of course there is the general maintenance to do. Server changes at our hosting service took the gallery of digitalimagemakerworld.com down and we are still working hard to get it back. It has been this which has held up the competition announcements recently.

Several new initiatives should be rolling out by the end of June. The first of these is dimagemaker.net, a huge gallery site that will offer free galleries to photographers and digital artists producing strong work. The second is a companion site to dimagemaker.com called animagemaker.com, which will allow us to expand into analogue photography coverage and a major effort to profile photographers producing stunning work, whether on film or digital.

All the above would already in place had there not been the personal stresses of recent months. But then maybe things needed to go slower.

I’ve been out doing more shooting with the Sigma 4.5mm circular fisheye lens with my converted for infrared Canon 350D.

I’ve found that the best way to shoot IR with this fisheye, because of the size of the field of view, is to use exposure bracketing with the camera set on continuous drive mode so that I can take three images in rapid succession with one press of the shutter button. This I have found to be the best way to handle the exposure variations in IR with such a wide field of view.

Fisheye infrared with a Sigma 4.5mm and a Canon 350D

Below are more images.
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Wayne reconsiders some of his recent photographs and explores how they look using a favored technique of his.
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